Recherche sur les techniques pianistiques à travers l'analyse comparée des Études d'exécution transcendante S.139 de Franz Liszt et des Douze Études dans les tons Mineurs Op. 39 de Charles-Valentin Alkan
|Abstract:||This thesis is a comprehensive comparative research of piano techniques used in Charles-Valentin Alkan's Twelve Etudes In the Minor Keys op. 39 and Franz Liszt's Transcendental Etude. From this starting point, this document explores the historical evolution of the piano in France during these two composer's time. It also determines their pianistic innovations as well as the personal styles that define them in these two collections. The reader will also find an analysis of the musical language that appeared in each etude as well as the influence from other composers' styles. This document presents an overview of different pianistic textures explained from the interpreter's standpoint. This overview targets an optimal way for practicing and an efficient use of the body in order to obtain a better sound quality. Thus, this research is about the resolution of technical problems that one can find in the works of these two composers who are at the top of the 19th Century's virtuosity|
|Document Type:||Thèse de doctorat|
|Open Access Date:||17 May 2021|
|Collection:||Thèses et mémoires|
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