Le potentiel théâtral et dramaturgique de la musique dans le processus de création chorégraphique

Authors: Blouin, Claudia
Advisor: Dospinescu, Liviu
Abstract: This master’s thesis presents a research-creation completed in Laval University’s Littérature et arts de la scène program and focuses on the question of music’s theatrical and dramaturgical potential when used as « text » in the creation of theatrical dance sequences. The author first presents a theoretical and conceptual framework linked to the three inter-artistic relationships implied in her subject: music and theater, theater and dance and dance and music. She supports her ideas with the works of Adolphe Appia, Michèle Febvre and Jean-Jacques Nattiez as well as with the practical experience of Anne Teresa de Keersmaeker and Pina Bausch choreographies. From this reflexive framework she finds the tools needed to release the music’s potential and to set it in motion. She also experiments with these tools to implement a creative process from the search for music to the public presentation of the constructed sequences, which are exposed in this thesis. Both theatrical dance sequences De fil en fils and Fuis-moi je te suis…, the video recording of which can be found in the annex, are analyzed in order to discover the different musical elements that encouraged their theatrical form.
Document Type: Mémoire de maîtrise
Issue Date: 2017
Open Access Date: 24 April 2018
Permalink: http://hdl.handle.net/20.500.11794/28271
Grantor: Université Laval
Collection:Thèses et mémoires

Files in this item:
Description SizeFormat 
32949.pdfTexte1.79 MBAdobe PDFThumbnail
View/Open
32949_Annexes.zip386.85 MBArchive ZIPView/Open
All documents in CorpusUL are protected by Copyright Act of Canada.