Vers une nature sombre de la couleur : relations et significations de la couleur et du corps dans Le torrent d'Anne Hébert
|Authors:||Mérida Ramos, Diana|
|Abstract:||We continue talking about Hebertien works because of their originality In this paper, we are focusing on her first masterwork in prose. The Torrent (1950) broke with the traditional forms of the French-Canadian literary panorama on different levels, producing a profound mutation in sensibility, focusing henceforth on the internal world. This analysis is interested in colour, a phenomenon anchored in the perception of François Perrault, the main character of the story. The study of perception will be carried out by a semiotic of presence because « to perceive » implies, according to Fontanille, to recognize a presence in relationship to our own. We will try to demonstrate, later, how a sensory phenomenon, in a condensed form, is connected with the somatic.|
|Document Type:||Mémoire de maîtrise|
|Open Access Date:||19 April 2018|
|Collection:||Thèses et mémoires|
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