How to retrieve information inherent to old restorations made on frescoes of particular artistic value using infrared vision?

DC FieldValueLanguage
dc.contributor.authorSfarra, Stefano-
dc.contributor.authorTheodorakeas, Panagiotis-
dc.contributor.authorIbarra Castanedo, Clemente-
dc.contributor.authorAvdelidis, Nicolas P.-
dc.contributor.authorAmbrosini, Dario-
dc.contributor.authorCheilakou, Eleni-
dc.contributor.authorPaoletti, Domenica-
dc.contributor.authorKoui, Maria-
dc.contributor.authorBendada, Abdelhakim-
dc.contributor.authorMaldague, X.-
dc.date.accessioned2017-01-16T19:13:07Z-
dc.date.available2017-01-16T19:13:07Z-
dc.date.issued2015-08-26-
dc.identifier.issn0195-928Xfr_CA
dc.identifier.urihttp://hdl.handle.net/20.500.11794/13115-
dc.description.abstractRestoration is the methodological moment in which the artwork is appreciated in its material form and in its historical and aesthetic duality, with a view to transmitting it to the future” (C. Brandi). This work is inspired by this memorable definition. It is based both on the study of an ancient fresco and a fresco’s reproduction, assessing the principal defects afflicting this type of structures and aiming at reconstructing the restoration phases through the definition of a combined thermographic and reflectographic procedure that has the purpose of mapping the quality of the restoration itself and thinking of the future. According to Brandi, the timeline for an artwork can be divided into three parts. The first corresponding to the duration of the creative process conducted by the artist and culminating with the completion of the work. The second corresponds to an interval, which is the historical time elapsing from the conclusion of the work to the present. Last but not least, the moment, which is acknowledged in the consciousness of the observer who takes the responsibility of transmitting it to the future. The observer might also be the restorer. Indeed, the restoration takes place at the latter stage and it aims at re-establishing the potential unity of the artwork, to the highest level possible, without producing an artistic or historical forgery and without erasing any trace of the natural passage of time on the artwork. The infrared vision might help to reveal whether the restoration is done properly or not.fr_CA
dc.languageengfr_CA
dc.publisherPlenum Pressfr_CA
dc.subjectActive IR thermographyfr_CA
dc.subjectNear-infrared reflectographyfr_CA
dc.subjectFresco Acrylic resinsfr_CA
dc.subjectRestorationfr_CA
dc.subjectSplittingfr_CA
dc.subjectHistorical reconstructionfr_CA
dc.titleHow to retrieve information inherent to old restorations made on frescoes of particular artistic value using infrared vision?fr_CA
dc.typeCOAR1_1::Texte::Périodique::Revue::Contribution à un journal::Article::Article de recherche-
dcterms.bibliographicCitationInternational Journal of Thermophysics, Vol. 36 (10), 3051–3070 (2015)fr_CA
dc.audienceRestaurateurs (Art)fr_CA
dc.audienceIngénieursfr_CA
dc.audienceProfesseurs (Enseignement supérieur)fr_CA
dc.audienceÉtudiantsfr_CA
dc.audienceDoctorantsfr_CA
dc.identifier.doi10.1007/s10765-015-1962-8fr_CA
dc.subject.rvmThermographiefr_CA
dc.subject.rvmFresquefr_CA
dc.subject.rvmRésines acryliquesfr_CA
dc.subject.rvmPeinture -- Conservation et restaurationfr_CA
dc.subject.rvmReconstruction d'imagefr_CA
rioxxterms.versionAccepted Manuscriptfr_CA
rioxxterms.version_of_recordhttps://doi.org/10.1007/s10765-015-1962-8fr_CA
rioxxterms.project.funder_nameNatural Sciences and Engineering Research Council of Canadafr_CA
bul.rights.periodeEmbargo12 moisfr_CA
Collection:Articles publiés dans des revues avec comité de lecture

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