Intermediality of the digital video image as détrompe l'oeil in three contemporary Polish fiction films

Auteur(s): Laverdière, Gabriel
Résumé: This article examines how the digital video image is integrated in three contemporary Polish films (“Wesele”, “Egoisci” and “Sala samobójców”), creating an effect of unveilment which is analyzed through notions of intermediality and trompe l'oeil. Traditional narrative cinema consistently proposes forms of realism, and digital technologies in film tend to further this endeavour, although they are not restricted to special effects or animation. The three films chosen for this analysis use various semi- or non-professional cameras not as a trompe l'oeil but rather as a détrompe l'oeil which contributes to the critical stance these works offer regarding the social reality represented. The subject and treatment of these films are linked to a socio-economic and political situation marked by the transition from communism to capitalism.
Date de publication: 1 décembre 2015
Date de la mise en libre accès: 2 mai 2016
Version du document: Version of Record
Lien permanent: http://hdl.handle.net/20.500.11794/981
Ce document a été publié dans: etum – eJournal for Theatre and Media, Vol. 2 (1), 39-51 (2015)
http://dx.doi.org/10.13150/05131.56
Etum UG
Autre version disponible: 10.13150/05131.56
Collection(s) :Articles publiés dans des revues avec comité de lecture

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